LAST LIVE SHOW

Company: Live Records

Matrix Number: TVC 101-A / TVC 101-B

Release Date: Middle 1970

Country: USA

SIDE A

1. Paul intro I'M DOWN 2:10

2. INTERVIEWS & ED SULLIVAN INTRO 3:45

3. TWIST AND SHOUT 1:20

4. Paul intro I FEEL FINE 2:09

5. John intro DIZZY MISS LIZZIE 2:54

6. Paul intro TICKET TO RIDE 2:18

 

SIDE B

7. Paul intro ACT NATURALLY 2:32

8. Paul intro CAN'T BUY ME LOVE 2:11

9. John intro BABY’S IN BLACK 2:13

10. John intro A HARD DAY'S NIGHT (with interviews) 2:30

11. Paul intro HELP! 2:22

12. Paul intro I'M DOWN 1:04

 

Sound quality: VG-mono

 

Source:

1 to 6, Paul intro to track 7, 8 to 12: New York, Shea Stadium, August 15, 1965

7 officially released version.

COMMENTARY

This record features a recording of what is probably their most successful live performance,  filmed for a BBC TV program called The Beatles at Shea Stadium. This broadcast was premiered on BBC 5 on March 1st, 1966 (the performance having been polished up and track 7 having been replaced with the officially released version). Later in 1966 the show was aired in the USA too, and this transmission was the probable source.

THE FIRST RELEASE

The first release (photo below the title) had an insert cover printed in black ink on pink paper, with "Live Records #501" written at the bottom; dark purple label with silver printed track listings and "101 A / 101 B" catalogue number. The records have side reversed with respect to the track list on the insert cover (side A starts with Act naturally, side B starts with I'm down ). There are no subsequent different  releases of this record.

INTEREST. An important historical release, indispensable for collectors. ****

THE WCF COUNTERFEITS

 

This record was immediately copied by the "WCF" people, who counterfeited both insert and label of the original release. This version of the concert has a slightly inferior sound quality. As typical for the company, different masters were cut and used. We saw these releases.

1. late 1970. Same insert of the original issue, printed on white paper and glued to a white or a gold cardboard sleeve; label nearly identical to the TVC label, matrix 7001 A / 7001 B. The producers corrected the side error by using the label numbered 101-A on Side B and the label numbered 101-B on side A.

2. Early 1971. Same insert and label as #1, but Side A was from a new stamper derived from the master originally cut for side B of BATTLE, with the original matrix number RP 24-B erased and 101 A added. This version omits I'm down and part of the interviews (that remain listed on the label). The reason why the WCF people decided to replace the original master with the incomplete one is unknown.

3. 1973. Same as #2, blank label.

4. 1974. Folder-type cover with drawing directly printed on front and back, blank label. This is the issue attributed to Amazon Etcetra.

INTEREST. Historically interesting for completists, particularly the first pressing. **/*

FURTHER RELEASES

1975. JL Records released their usual counterfeit of the US records, on matrix 516 A / 516 B, black labels, copy of the original insert directly printed on the cover. Same composition of sides A / B as the original release

INTEREST. Useful for completists and for japanese collectors interested in the complete JL series. **

Another counterfeited LP was produced by another company, who copied the WCF pressing #2. This LP has green printed slipsheet glued to a silver jacket, with white blank labels; its matrix is 101-A / 101-B, with side B originally miswritten A.

INTEREST. Useless counterfeit. *

THE CONTRA-BAND RELEASE

 

Early 1971. The original release by "Live Records" was the source of another LP,  produced by a bootlegger calling himself Contra-Band Music (no relationships to the well-known CBM outfit, that was not yet existing at the time). This bootlegger co-operated for this release with a guy who was at the time involved in a couple of Dylan records (Let me die in my footsteps and Burn some more). The album, titled SHEA THE GOOD OLD DAYS, matrix 1234-A S-2315 / 1234-B S-2316, was distributed with a full color printed cover copied from a legit record (a deluxe production for the era!) and a pink label featuring the record title repeated in rows. This cover was available as a stock cover at the pressing plant. The name of the cover was the Four Choir Boys and if you were getting a record pressed and didn’t have a cover you could use that one and have you own title added.

Some copies had an insert or a sticker with title and track listing.

A different version of this record had a rubber stamped cover, titled SHEA STADIUM LIVE STEREO, in red or blue ink, and the label was similar but with a different font. We do not know if this release, much rarer than the one on the stock cover, appeared before or after the more common one.

 

INTEREST. Thanks to the stock cover used by the bootleggers, this is the first "de-luxe" Beatles bootleg record. The version with the stock cover is not particularly rare, but nevertheless quite interesting, ***, the version with the rubber-stamped cover is very rare, ****

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